Aristophanes

The comic account of one woman's extraordinary mission to end the Peloponnesian War, as Lysistrata convinces the women of Greece to withhold sexual privileges from their husbands as a means of forcing the men to negotiate a peace.

In this play, middle-aged Athenian Pisthetaerus creates a new city in the sky assisted by birds, thereby gaining control over all communications between men and gods. He is transformed into a bird-like figure and, with the help of his friends, the birds, he soon replaces Zeus as the pre-eminent power in the cosmos.

"A vibrant verse translation of three key works from one of the most original playwrights in the entire Western tradition; combines historical accuracy with a sensitive attempt to capture the rich dramatic and literary qualities of Aristophanic comedy; features comprehensive introductions to each play, as well as detailed explanatory notes; includes an appendix containing information and selected fragments from the lost plays of Aristophanes."--Publisher's...

The Wasps is the fourth in chronological order of the eleven surviving plays by Aristophanes. It was produced at the Lenaia festival in 422 BC, during Athens' short-lived respite from the Peloponnesian War. As in his other early plays, Aristophanes satirizes the Athenian general and demagogue Cleon.

Chremylus, a poor but just man, accompanied by his servant Cario consults the Delphic Oracle concerning his son, whether he ought not to be instructed in injustice and knavery and the other arts whereby worldly men acquire riches. By way of answer the god only tells him that he is to follow whomsoever he first meets upon leaving the temple, who proves to be a blind and ragged old man. But this turns out to be no other than Plutus himself, the god...

Greek playwright Aristophanes spins wonderful stories combining politics, satire, and classic Greek gods in this collection of "Lysistrata and Other Plays." "Lysistrata" focuses on the women of Greece whose husbands leave for the Peloponnesian War. The women do not care about the war as much as they care about missing their husbands; Lysistrata also insists that men rarely listen to women's reasoning and exclude their opinions on matters of the state....

A group of women, led by the wise and redoubtable Praxagora, has decided that the women of Athens must convince the men to give them control of the city, as they are convinced they can do a better job. Disguised as men, the women sneak into the assembly and command the majority of votes needed to carry their series of revolutionary proposals, even convincing some of the men to vote for it on the grounds that it is the only thing they have not tried....

Eleven of his 40 plays survive virtually complete. These plays, provide the only real examples of a genre of comic drama known as Old Comedy, and they are in fact used to define the genre. Also known as the Father of Comedy and the Prince of Ancient Comedy, Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author.

The 'Ecclesiazusae, or Women in Council,' was not produced till twenty years after the preceding play, the 'Thesmophoriazusae' (at the Great Dionysia of 392 B.C.), but is conveniently classed with it as being also largely levelled against the fair sex. "It is a broad, but very amusing, satire upon those ideal republics, founded upon communistic principles, of which Plato's well-known treatise ['The Republic'] is the best example.-From the introduction...

Eleven of his 40 plays survive virtually complete. These plays, provide the only real examples of a genre of comic drama known as Old Comedy, and they are in fact used to define the genre. Also known as the Father of Comedy and the Prince of Ancient Comedy, Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author.